Suddenly, it’s 1994.
June 28th, 2008A few weeks ago I commented on the fact that The Breeders just released a new album. Like every band Kim Deal was a part of (Pixies, Amps), the Breeders were part of the soundtrack to my college years (’91-’95). The reason I haven’t acquired the new album is because (1) no one in Lawton, OK will sell it to me, and (2) I know I have a big box of blank CD/RWs somewhere, but I can’t seem put my hands on them right now. Since I’m typing this missive from OKC, maybe I can diddybop down to Guestroom Records’ new shop on Western, except that I’m too sleepy right now to do much diddybopping.
Now I’ve learned that trip-hop heroes Portishead just released a new album too. Portishead! Seems like only 14 years ago that the icy, noir perfection of “Dummy” transformed my college campus into a foreboding galaxy. Save for A-bomb in Wardour Street / Down in the Tube Station at Midnight from “The Jam’s” “All Mod Cons,” I don’t know that there’s a better one-two end-of-album punch than the one found on Dummy. Here’s Biscuit, about the best example of a chopped and screwed track you’ll ever hear:
followed by the astonishing Glory Box:
I’m sorry these youtube videos suck, but it was the best I could do (the video for Glory Box is available, but they won’t allow you to embed it). Anyway, enjoy.
Just a thought: maybe millennial music sucks so hard that we need to unearth more Gen-X heroes from their pop-culture graves. I’m sitting here at The Red Cup in OKC, a coffee shop with free wifi. A pretty, chatty young girl sitting at the next table was just talking about how someone in her circle remarked that he found her “existential bullshit total ennui.”
I had define for her and her friends the word “ennui.”
I don’t know if someone who doesn’t know the meaning of the word “ennui” can even have existential bullshit. Oh, Millennials! So simple and blank like a happy puppy.